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Together, they drove to the television station WFAA for help, but their equipment wasn’t sufficient. In the late afternoon, the film was taken to Eastman Kodak’s Dallas processing plant where it was immediately developed, and, at 6:30 p.m., driven to the Jamieson Film Company, where three additional copies were exposed. By 8 p.m .Zapruder had the original and a copy, and handed the other two copies to Sorrels, who sent them to Washington.
That left him with one extra copy of history’s most famous home movie. By evening, the rush to acquire the footage was on, and it was as feverish as it might be today. At its center were titans of both old and new media: the august editors of Life and the bulldog producers at CBS News. At that time, television news hadn’t yet become a serious focal point for most Americans, though that was about to change.